PHYSICAL

Explore our physical work, where ideas take form through materials, objects, and crafted environments.

What We Offer

We offer a range of services to meet the needs of every client. Have something else in mind? We'd be happy to work with you to create a custom quote.

META

Trade Show Experience

Last year, I had the chance to contribute to the graphic design of a trade show booth created for Meta.

Working on environmental graphics at this scale is always an exciting challenge, finding the right balance between clarity, impact, and the physical space itself.


Moving between digital design, branding, and immersive environments. Every surface becomes part of the story.

Skullcandy

Trade Show Experience

Returning clients are often the best indicator of successful creative partnerships.

After collaborating on Meta's booth for Channel Partners Solutions the previous year, Moss & Stone Creative Laboratory was invited to design Skullcandy's presence for an upcoming trade show.

A successful booth should guide attention, encourage exploration, and create memorable interactions within a limited physical footprint.

This meant carefully considering visitor sightlines, visual hierarchy, product placement, panel transitions, and print tolerances simultaneously, bridging creative direction with production realities.

OATLY

first Bike Thru worldwide

Our latest collaboration with Doorgedraaid in Leiden.

At Moss and Stone, we move between digital creation and hands-on production; from visual concepts to physical builds.

For this project, we adapted the design and 3D printed a custom sign for Oatly and their new bike-thru café experience in Amsterdam (open until mid-June 2026).

A great collaboration mixing branding, fabrication, and creative production for a unique event experience.

Past Project

The kanagawa Project

In 2011, I completed a bas-relief sculpture entirely carved from solid maple wood, inspired by the iconic Great Wave off Kanagawa. What began as a commissioned decorative piece intended for the main room of Nobu Malibu evolved into something far more unexpected.

Over the course of seven months, I shaped the work by hand, focusing on depth, movement, and the natural grain of the wood to echo the energy of the wave. The piece measures 6 × 4 feet (183 × 122 cm), giving it a strong presence while preserving intricate detail.

Before it could be installed, the artwork was acquired and ultimately became part of the personal collection of Larry Ellison, CEO of Oracle, an outcome that added a unique chapter to its story.

This piece remains a defining example of how traditional craftsmanship and cultural inspiration can meet in a contemporary context, carried by both intention and chance.